Wednesday, September 2, 2009
In Amman
Leaving Lucknow
Shakespeare ki ek nazm hai, arz karti hun...
روحانی تعلق کی سچائی میں مزاحمت نہیں ہوتی
جو تبدیلیوں سے بدل جائے وہ محبت نہیں ہوتی
سچی محبت کو زندگی کے نشیب و فراز کے آگے
گھٹنے ٹیکنے کی عادت نہیں ہوتی
نہیں! عشق نہیں پلٹتا اپنے دائمی نشان سے
اور نہیں ہوتا متزلزل شورش ِطوفان سے
یہ ہر بھٹکی ہوئی کشتی کا راہ نما
جس کا قد و قامت معلوم ہو قدر و قیمت نہیں
آ جاتے ہیں ٹیڑھے چکر میں گلابی لب و رخصار
محبت کا نہیں ہوتا وقت پر انحصار
گردش ِزمانہ محبت کو تبدیل نہیں کر پاتی
محبت تاقیامت نہ باقی ہوتی تو قیامت نہیں ہوتی
غلط ثابت ہو جائے یہ بات یا اس میں ہو کوئی غلطی
تو پھر نہ میں نے کچھ لکھا نہ کسی نے کبھی محبت کی
Ruhani ta'aliq ki sacchai men muzahimat nahin hoti
Jo tabdeelion se badal jaaye woh muhabbat nahin hoti
Sacchi muhabbat ko zindagi ke nasheb-o-firaz ke aage
Ghitne teekne ki aadat nahin hoti
Nahin! Ishq nahin pilatta apne daimi nishan se
Aur nahin hota mutazalzal shorish-e-tofan se
Yeh har bhatki hui kashti ka rah nama
Jis ka qad-o-qaamat ma'alum ho qadr-o-qimat nahin
Aa jaate hain teerhe chikar men gulabi lab-o-rukhsaar
Muhabbat ka nahin hota waqt par inhisaar
Gardish-e-zamana muhabbat ko tabdeel nahin kar pati
Muhabbat ta-qayamat na baqi hoti to qayamat nahin hoti
Ghalat saabit ho jaaye yeh baat ya is men ho koi ghalati
To phir na main ne kuch likha na kissi ne kabhi muhabbat ki
Literal translation:
In the truth of the soul-relationship there is not [or: would not have been] an impediment
What may change upon changes, that is not [or: would not have been] love
True love, in the face of the vicissitudes of life
Does not [or: would not have had] the habit of alteration
No! Love does not waver from its own fixed mark [sign]
And does not shake from the tumult of the storm
This is every wandering/lost vessel's signal [anyone have a better word for rah-nama?]
Whose height may be known [but] not their true worth
Rosy lips and cheeks come into the line of the wheel
Love does not turn away/deviate with time [Platts gives "apostatize" as one definition for "inhisaar," how interesting that would be...]
The turning of the age does not [or: would not have] found changes in love
If love were not remaining until judgement day then it is not [or: would not have been] judgement day
If this matter is proven to be wrong or if there may be error in it [in't!]
Then I never wrote anything nor did anyone ever love.
And the original:
Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove:
O no! it is an ever-fixed mark
That looks on tempests and is never shaken;
It is the star to every wandering bark,
Whose worth's unknown, although his height be taken.
Love's not Time's fool, though rosy lips and cheeks
Within his bending sickle's compass come:
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
If this be error and upon me proved,
I never writ, nor no man ever loved.
Wednesday, August 12, 2009
Dard-e-dil, dard-e-jigar: The Indian Hospital Experience
This sorry state of things entire began last Sunday, when I woke up with a splitting headache that I assumed was a migraine brought on by a Saturday night spent at Zero Degrees, the hip Lucknow club where we had a good time watching young people our age awkwardly dance as they were accompanied by their parents or some aunties and uncles, who in their salwar kameez and kurta pyjamas looked to be having a much better time on the dance floor than everyone else! Anyway, I took some painkillers, went and saw Love Aaj Kal, the biggest new Saif Ali Khan-Deepika Padukone hit (which I actually enjoyed, especially Rishi Kapoor's role and his real wife's cameo appearance at the end - I always think of his and Neetu Singh's scenes in Amar Akbar Anthony when I see them together, since the chemistry was real enough for them to get married after shooting the movie). At this point it was evening and the "migraine" still hadn't abated, so I started to get mildly concerned and told myself I'd go to a doctor in the morning if it wasn't any better.
Middle of the night, I start vomiting uncontrollably, and by the morning it's clear that I need to go to the hospital. Sandeep-ji drives me to the Sahara Hospital, which is a gleaming edifice of sanitation and modernity, and I see a neurologist who also discovers that my neck is quite stiff and painful, and so they immediately admit me and run an MRI, CAT scan, and do a lumbar puncture (spinal tap) and put me on antibiotics for fear of bacterial meningitis. Side note: when they do lumbar punctures on House and you see the actors screaming in pain, it's actually because it's definitely one of the most painful experiences I've ever had. Absolutely excruciating, and then you have to lie perfectly flat for four hours afterward. I also found out later that the antibiotic I was given was the mother of all antibiotics, an atom bomb set off in my system that destroyed any and all bacteria that could possibly have been living in my body.
So on a Monday afternoon I was admitted to Sahara Hospital, and I stay there until Friday afternoon, being given constant rehydration and antibiotics via IV while the doctors attempt to arrive at a diagnosis. Since I didn't die within 24 hours, bacterial meningitis was safely ruled out, but each day the diagnosis flipped from viral meningitis to tuberculer meningitis to a possible small brain hemorrhage to typhoid, until both Ahtesham-sahab (the head of the Urdu program) and I became increasingly unsure of the quality of care at this hospital and after some discussion with Purnima-ji (the head of AIIS as a whole, based in Delhi) we decided that I would be transferred to the East-West hospital in New Delhi. Time in the Lucknow hospital wasn't wasted, though; I read my Urdu newspaper aloud to the delight of the nurses and orderlies (best nurse quote: "Please, supine ho jaae") and had a stream of visitors from my program (time for heartfelt shout-outs to Cayley, Jessica, Hasan, Christine, Alisha, Nida, and especially my wonderful, wonderful roommates Ranjanpreet, Beenish, and Sehris). In my spare time I tried to think of verses that had to do with sickness, medicine, or healing. As Ahtesham-sahab said, the most dangerous drug is that of Urdu poetry.
On Friday night they flew me to Delhi (an unpleasant flight - the pressure caused another killer headache) and checked me into East-West, where I was given a very nice private room and the kind and communicative Dr. Chawla to look after me. There the IVs continued, as well as a second MRI and CATscan to ensure that there was no further swelling of the meninges (lining of the brain). After a weekend there, I felt much better, was more mobile, and was released this (Wednesday) morning with diagnosis of a viral meningitis that had at this point run its own course. The care in Delhi was excellent, and I'm also very grateful to Purnima-ji and AIIS for having taken care of all of this for me. I flew back into Lucknow early this morning, wearing my surgical mask lest I catch the swine flu currently endemic in India, with no lasting damage except some bruised and bandaged arms and a surprising weight loss which I will do my best to reverse by eating excessive amounts of jalebis and kebabs. Only about a week is even left in the Lucknow program, so I have to finish up my poetry-translation project and live up the ash-o-ishrat before moving on to Amman!
Wednesday, July 29, 2009
"Poetry carved in stone": Agra and Fatehpur Sikri, part 2
Tuesday, July 7, 2009
"Poetry carved in stone": Agra and Fatehpur Sikri, part 1
We began our Saturday morning with, of course, the Taj, mingling with the throngs of other tourists (Western and Indian) who came to see one of the seven wonders of the world. The Taj really is a wonder - even though I'd seen it before on my last trip to India, there's still something that makes you catch your breath when you first glimpse the white marble dome through the arch of the main gate. We meandered through where there would once have been gardens and a reflecting pool up to the main sanctum, where the tombs of Mumtaz, for whom the Taj Mahal was built, and Shah Jahan, who had it built, lay. Although the Taj Mahal is commonly glossed as a monument to undying love, I think Sahir Ludhianvi says it better in his ode to the Taj where he asks his beloved to meet him at some other place, since "Countless men in this world must have loved and gone,/Who would say their loves weren't truthful or strong?/But in the name of their loves, no memorial is raised/For they too, like you and me, belonged to the common throng." (A different verse from the same poem, in the original Urdu, is as follows: Yeh chaman zar yeh jamna ka kinara yeh mahal/Yeh munaqqash dar-o-deevar yeh mehrab yeh taaq/Ek shahanshah ne daulat ka sahara le kar/Hum gharibon ki mohabbat ka uraya hai mazaaq).
After seeing the Taj, we made our way to the Agra Fort, which would be more accurately described as the Great Mughals' walled city. Inside it are the famous Diwan-i-Am (public audience hall) and Diwan-i-Khas (private audience hall), the Khas Mahal, all white marble and intricate tracery where Jodhaa Bai and other queens would have lived, as well as private mosques, areas for the harems, and once housed pools and gardens. Shah Jahan was also imprisoned unti his death in the Fort by his son Aurangzeb.
Having seen what would have been the height of Agra's grandeur at the time when Akbar made it his capital (1558), we visited Akbar's tomb, which also boasted amazingly beautiful calligraphy and geometric designs. The room where his actual tomb was, though, surprisingly stark - a simple tomb with one lantern hanging from the ceiling, the walls dull white. I suppose that at the time of his death this room would have been opulent beyond belief, but probably due to the difficulty of restoration the decision was made to just paint over calligraphy, carving, and paintings. Nevertheless, I thought the tomb's simple nature was somehow fitting, in the sense that Akbar in particular with his love for exploring religion and life's great mysteries was at peace in a room that was free of all the pomp and circumstance that was a Mughal emperor's trademark. Just a quiet grave and the shadow of the lantern on the walls.
We also saw peacocks competing for attention in the gardens around this monument, which was exciting.
Monday, July 6, 2009
Delhi - "Diwan-i-am, ashiq bhi hun"
Arriving in Delhi the next morning, we quickly discovered that the 118+ degree heat was a record high, but being the hardcore foreign tourists we are we decided to do all our sightseeing anyway. So - off to the Jama Masjid, where the stones in the mosque courtyard were so hot than after washing our feet in the ablutions pool we could hear the water sizzle off our soles as we scampered onto the carpets that had been laid out for people to walk on. We got lunch at Karim's, a famous Delhi establishment that serves delicious Mughlai meat and kebabs (a Times of India review was hung up on the wall whose headline was 'Of Khusro, Ghalib, and Karim's!'). Afterward, we went to a famous Gurudwara (Sikh house of worship), which was very soothing in its harmonium-based chanting and its cool interior. Braving the sweltering afternoon sun, we saw the Red Fort (Lal Qila) and were able to get me in for the Indian price by inventing a complicated story about how I was the child of missionaries from Tamil Nadu (explanation for why my Hindi was accented) but had gone to boarding school in Delhi, etc etc., and got away with it, which was pretty great. The Red Fort's Diwan-i-Am was surrounded by Indian tourists taking hilarious family photos of themselves (I was very tempted to sneak some pictures and then upload them to awkwardfamilyphotos.com).
At this point we needed to take refuge in our air-conditioned hotel room or shrivel up on the spot (I probably drank about 3 or 4 liters of water and never went to the bathroom), and so we rested until dark before going out to Connaught Place to find a fancy restaurant to eat at and celebrate Beenish's acceptance to SOAS. We found a vastly overpriced Chinese/Thai restaurant that nevertheless was a lot of fun, and then walked around this fashionable circle in the relative cool of the evening. Connaught Place is a real insight into the "new" India - endless lines of designer stores that even reasonably wealthy Americans might have trouble affording.
In the morning, we had planned on visiting the Bahai Lotus Temple, but it turned out to be closed, so instead we went to the (air conditioned) National Museum, stopping to see the India Gate along the way. The museum was mainly archeological in nature, and the pieces that really struck me were the Gaudharan statues from northern Pakistan and Afghanistan that were Hellenistic in style because of the influence of Alexander the Great. It was completely unexpected to find something that looked ancient Greek in a South Asian context.
Mid-afternoon, we headed home and got there in time to try to frantically do the homework that was due on Monday.
Tuesday, June 23, 2009
Washington/Delhi and Lucknow ki shuruaat
Also, I am obligated to inform anyone reading this blog that it is not an official Department of State website, and the views and information presented are my own and do not represent the Critical Language Scholarship Program or the Department of State.
Anyway. The two days we spent in Washington D.C. were a flurry of horrifyingly underinformed guest speakers from various branches of the State Department (such as a woman who consistently referred to Hindi, Urdu, Bengali and Punjabi as "the Hindic language"), representative from both government jobs and the private sector who told us all the exciting things we can do with our new language skills, and some alums of the different CLS programs, who were reasonably informative. Also high on the list was finally meeting John Thon Majok, the man behind the emails, whose "Well...now you know" line continues to crack us all up.
After a 15-hour flight direct from Chicago to Delhi, during which I was lucky enough to sit in the center seat of the center aisle, we dragged ourselves to the very nice hotel to meet the other scholars who would be doing the AIIS programs in Hindi and Urdu and then were subjected to another couple days of introductory lectures and guest speakers, although meeting Philip Lutgendorf was a plus (and he came with us to Lucknow!). They took us on a choti si field trip to the Qutub Minar, which although being a gorgeous piece of architecture was hard to fully appreciate in the 100+ degree heat. It certainly is hot here in U.P. in June, and the heat is the dry, scorching pre-monsoon variety where you get dehydrated instantly. Walking somewhere outside after the first day of classes in Lucknow, which end at aroudn 1:15 (what was I thinking?) I suddenly truly understood what Anita Desai was talking about in Clear Light of Day when she described the Delhi summer and the white air swollen with heat. But then again it makes it pleasant to go out for shopping or exploring (in groups) after dark, which is when the city comes alive these days anyway.
Yesterday a bunch of us went to a little imambara (not the Chota Imambara but just a small one in the Hazratganj area) in the evening, which was mystical and serene. It's called the Shah Najaf Imambara (Shah Najaf being a name sometimes given to 'Ali), and it was apparently a stronghold during 1857, although the outer walls have fallen into a state of shocking disrepair despite it being a national historic site. The inner sanctum, though, was a beautiful hodgepodge of hanging lamps, old oil portraits, mirrors, tazias dating from the last century that are apparently still used during Muharram, and quotations from the Qur'an. The imambara was constructed by Ghaziuddin Haider, the first nawab of Lucknow (all of whom have been Shi'a), and his tomb is inside as well as those of his three wives.
I live with three other girls from the Urdu program (two CLS, one FLAS), all of whom are of South Asian descent, so it's good practice living with three native speakers. We live in the first floor of a house rented out by an older couple, and it's rather isolated in terms of location and interaction with the household - we live in an area called Gomti Nagar, which lies across the Gomti river from the main areas of Lucknow and close to this enormous, unfinished, absurd Ambedkar park (courtesy, of course, of Mayawati - she decided the have the entire park constructed out of stone from Rajasthan, which means that nine months out of the year no one will be in it). We are, however, close to a new mall called the "Fun Republic" - the great Indian middle class is certainly thriving in Lucknow.